2016届英语本科毕业论文模板及格式.doc

学校代码：12331 Commented [A1]: 要有学校代码 学士学位论文 小二号 times new romans 加粗 On Symbolism in A Streetcar Named Desire 姓 名： ××× 学 号： ××××××× 指导教师： ××× 学 院： 外国语学院 专 业： 英语 完成日期： 2016 年×月×日 Commented [A2]: 作品名需要斜体 On Symbolism in A Streetcar Named Desire Commented [A3]: 小二号，加粗，居中 By Commented [A4]: 本页除标题均为三号字体，行距 1.5。 Xu Xiao Commented [gg5]: 学生名字的汉语拼音，注意拼写规范。 Submitted to the Department of Foreign Languages of Shandong Women’s University in Partial Fulfillment to the Requirements for the Degree of Bachelor of Arts in English Under the Supervision of Mr./Ms. Li li Commented [A6]: 二选一，后加上指导教师名字的汉语 拼音 May, 2016 Commented [A7]: 这里的月份要和封面上的完成月份一 致 山东女子学院学士学位论文作者声明 本人声明：本人呈交的学位论文是本人在导师指导下取 得的研究成果。对前人及其他人员对本文的启发和贡献已在 论文中做出了明确的声明，并表示了谢意。论文中除了特别 加以标注和致谢的地方外，不包含其他人和其他机构已经发 表或者撰写过的研究成果。 本人同意学校根据《中华人民共和国学位条例暂行实施 办法》等有关规定保留本人学位论文并向国家有关部门或资 料库送交论文或者电子版，允许论文被查阅或借阅；本人授 权山东女子学院可以将本人学位论文的全部或者部分内容 编入有关数据库进行检索，可以采用影印、缩印或者其它复 制手段和汇编学位论文（保密论文在解密后应遵守此规定） 。 作者签名： 日期： 年 月 日 月 日 指导教师签名： 日期： 年 （顶头空 2 行）Contents（四号 Times New Roman 加粗，居中） 目录内容用小四号 Times New Roman 打印 摘要……………………………………………………………………………………I 关键词…………………………………………………………………………………I Abstract……………………………………………………………………………… II Key Words……………………………………………………………………………II I. Introduction.................................................................................................................1 1.1 Background .......................................................................................................1 1.2 Literature review ...............................................................................................1 II. Study of Individual Symbols .....................................................................................2 2.1 On names...........................................................................................................2 2.2 On colors ...........................................................................................................2 III. On Symbolic Understanding of Characters..............................................................3 3.1 Victim of self-delusions ....................................................................................3 3.2 Victim of social circumstances..........................................................................4 3.2.1 Victim of the old southern culture...........................................................4 3.2.2 The destruction of the Old South genteel world......................................4 IV. Conclusion ...............................................................................................................6 Bibliography...................................................................................................................7 Acknowledgments ..........................................................................................................8 Commented [A8]: 每一章节单独起页。章节的标题每个 实义词的首字母都大写。除此之外的所有标题只首单词的 首字母大写。 Commented [A9]: 注：1. 目录中的内容要求列出三级标 题； 2. 目录建议采用自动生成，具体方式：插入-引用-索引 和目录-目录。但首先要定义各标题的等级：格式-样式 和格式。 3. 论文的摘要和正文分别单独编页码，摘要页码为 I、II、 III 等数字编码，正文页码为 1、2、3、4 顺序的数字编码， 页码居中。 论《欲望号街车》的象征主义 摘要：xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx Commented [A10]: 题目三号黑体，居中 Commented [A11]: “摘要”两字四号黑体，内容小四宋 体 200-300 字 xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx 关键词：象征手法；《欲望号街车》；自我欺骗；南方文化 I Commented [A12]: 四号黑体 Commented [A13]: 3-5 个，小四宋体 中间加分号 On Symbolism in A Streetcar Named Desire Abstract: This paper is an attempt to give a comprehensive analysis of specific Commented [微软中国 14]: 文章标题，三号，加粗，居 中 Commented [A15]: 四号，加粗 symbols in this play and to discuss how the misery and the inner world of the characters are disclosed through the remarkable use of symbols. Symbols are profuse in the play and they help to achieve a thematic importance when combined with the romantic realism that Williams favored at the beginning of his career. The thesis is made up of four parts. The first chapter gives a brief introduction of the playwright and the play. Also a literature review which states some scholar’s concerns in this play is given and in the second chapter, an elaborate analysis of the individual symbols such as names, colors, sound, language and other images in life applied in this play is presented. Chapter three is a thematic probe into the play based on the symbolic understandings of the characters. Finally, a conclusion is given to summarize symbolism in this play. Key Words: Symbolism; A Streetcar Named Desire; Self-delusion; Southern culture Commented [A17]: 四号，加粗 Commented [微软中国 16]: 字数 200 字左右，不超过 300 字。宋体小四，1.5 倍行距 Commented [微软中国 18]: 3-5 个，小四，中间用分号 II On Symbolism in A Streetcar Named Desire Commented [微软中国 19]: 另起一页，正文前加小三号 字体的文章标题，加粗，居中 Commented [微软中国 20]: 一级标题，四号字体，行距 1.5 I. Introduction 1.1 Background Tennessee Williams was one of the most important and talented playwright of all history. One of his masterpieces, A Streetcar Named Desire, which was opened on Broadway in 1947, was an immediate success, catapulting him into the mainstream idolatry as an American playwright.（这一段可以对论文的研究对象、论题背景做介绍） 1.2 Literature review By now, scholars have paid much attention to various aspects in A Streetcar Named Desire. For example, Fang Jun and Liu Nuoya probe into the mature of the dramatic technique the poetic realism through meticulous study on the symbolic and expressionistic writing techniques and the interrelations of them in The Glass Menagerie and A Streetcar Named Desire. In Desire, Death and Dementia, researches have been put into analysis of the protagonist with understanding of symbolism . （略）（这一段是回顾和总结该研究领域的 相关研究成果。可引述或概括中西方学者在同一或相似议题上的观点，并以文内夹注的 方式注明，该段在论文总不可省略。 ） ………… This thesis is devoted to the study of …..from the following aspects: ….（这一段是对 本人论文的目的、方法、创新等的概括，与摘要相似，但可以不包括结论，内容可以更 为详尽。） 1 Commented [微软中国 21]: 正文，小四号字体，两端对 齐，首行缩进 2 字符，行距 1.5 Commented [微软中国 22]: 新的章节，另起一页。 II. Study of Individual Symbols 2.1 On names At the beginning of the play, readers are confronted with extremely obvious symbolic names of places. When Blanche arrives at her sister’s place, she says, “They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at Elysian Fields.” (Williams, 1982) Thus, it is possible he represents a cemetery for Commented [微软中国 23]: 引文不到四行，用引号 Blanche. Stanislaus is the name of a king of Poland. Clearly, Stanley is the king of his Commented [微软中国 24]: 网络引文格式 household. (Net. 1.) 2.2 On colors When Blanche first appears, she is described as “daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat”. (Williams, 1988) Blanche's white suit and gloves which are the symbol of purity shows her desire for purity and suggests that she wants to forget her sordid past, to hide her inner sins and to stay as an image of a dainty old south beauty. This is very ironic because white also is the color which is the most easily stained and destroyed. 2 III. On Symbolic Understanding of Characters A Streetcar Named Desire can be described as an elegy, or poetic expression of mourning, for the Old South that died in the first part of the twentieth century. Alcoholism, depression, thwarted desire, loneliness, and insanity are all parts of this play. The character of Blanche Dubois is a vivid example of the use of symbolism throughout the play. Blanche is victim of her own self-delusions and Old South attitudes. 3.1 Victim of self-delusions Blanche arrives in New Orleans as an arrogant, fragile, and ultimately crumbling figure. Clinging desperately to her self-delusion, unable to accept the savage reality of what has happened to her, and just as unable to comprehend how her sister Stella can endure her current living condition, Blanche is slowly losing her mind. Her desperate line, “I don't want realism! I want magic!” (Williams, 1987)2 is a cry from the heart. She wishes to view life as one that is rose-colored and that goes along with her old-fashioned southern belle personality. The loss of her young husband Allan has caused her loneliness, sexual desire, and even certain signs of psychological instability. What Blanche does not realize is that she cannot change the past through the present. Blanche's youth is gone, and she tries to give the appearance of being as youthful and innocent as she once was, but her illusion cannot last. As an epigraph to the play, Williams quotes from the poem “The Broken Tower”, by Hart Crane: And so it was that I entered the broken world To trace the visionary company of love, its voice An instant in the wind (I know not whither hurled) But not for long to hold each desperate choice. The use of this poem helps to express Williams's choice of theme in A Streetcar Named Desire. After Blanche’s young husband Allan Grey dies, she has entered a “Broken world” of fear, longing, and sorrow because of her simple desire to hear “the visionary company of love, its voice”, or tender, gentle words of love and appreciation from Stella and Mitch. However, these words are only “visionary”. The loss of Allan and the desire to “trace” or recapture her 3 Commented [微软中国 25]: 引文超过四行以上应该采用 独立引文方式与正文分离，字体 5 号，上下各空一行，左 边缩进 10 个字母。行间距是 1 love lead her to make so many desperate choices. 3.2 Victim of social circumstances Commented [微软中国 26]: 三级标题，小四号，行距 1.5 3.2.1 Victim of the old southern culture Given Mitch’s statement, it seems that Blanche’s bad sexual experiences and romantic delusions have been the source of her fall. Yet Williams depicts the fallen, Southern women as Blanche who is also a victim of society’s rules. Before we see Blanche’s miserable life experiences and fall, let’s first have a look at the south land she has lost. In The Mind of the South, Cash present us a description of the land which cultivates those old southern gentlemen and ladies. The warm pleasant climate and leisure rich life there give this land certain atmosphere of romance. The plantation owners can have their own way in their land and enjoy the harvest by the slaves’ labors. Thus, a spirit of indulging and pleasure seeking is cultivated. But at the same time, Cash points out that those old southern residents, especially women, are puritans that are sternly restricted by their value of morality. The economic structure of the plantation leaves women highly dependent on men because for a long time, they are detached from working and management of the plantation. Thus they cling to men or become toys that entertain and please men. On one hand, they should act and speak appropriately and be lady-like because of the puritan doctrines they believe, on the other hand, they have to get men’s admiration and hearts in order to maintain their dependent position. Therefore, there is a mixture of Puritanism and hedonism in them.(Wang Yiqun, 1983) Clearly ， we can see the contradiction of desire and soul in Blanche. 3.2.2 The destruction of the Old South genteel world A Streetcar Named Desire describes the cultural and social differences and the arising problems between two different “worlds”. On the one hand is the former “world” of Blanche DuBois, a woman of the Old South and on the other hand is the “world” of Stella and Stanley Kowalski, who belong to the working class and live in the downtown immigrant neighborhood of New Orleans. The Northern and Southern cultures at that time were acting against each other, mirrored in Stanley and Blanche. The setting of New Orleans is important to the play. The city is one 4 Commented [微软中国 27]: 中文作者用汉字拼音全名 of powerful contrasts: old French architecture and the new rhythms of jazz; a kind of old world refinement mixed with a sign of poverty and modern life; decay and corruption with the regenerative powers of desire and creation. The city is eternally in a state of mixture, a mix of the modern world and New Orleans' confused history; in Americans’ eyes, New Orleans is also associated with desire and sexuality. From the beginning, the three main characters in this play are in a state of tension. Williams establishes that the apartment is small and confining, the weather is hot and oppressive, and the characters have good reasons to come into conflict. 5 IV. Conclusion When the history of American theater is written for the 20th Century, Tennessee Williams is one of the most prominent names to be mentioned. He pushed the exploration of the human soul to the very limit in his work. Williams is fond of symbols and he successfully uses these varieties of symbols to help the audience to understand the play, especially in A Streetcar Named Desire. The symbolic use of images including names, colors, sound, language and other images in life in this play is the purest device Williams applies to resonate with the theme. The hidden ugliness from the past, both emotional and sexual neediness of Blanche and her fading beauty, vulnerability, and weakness are successfully revealed through the images such as light, bath, color whose symbolic functions have been specifically discussed in chapter two. The symbolic understanding of the characters comes to the conclusion that Blanche and Stanley are respectively the representations of the Old South and the New South and Blanche’s mental deterioration into madness and the triumph of Stanley are the sign of the destruction of the old south genteel world. 6 Bibliography [1] Cruse, D. A. Lexical Semantics [M]. Cambridge: Cambridge University Press, 1986. [2] Ellis, R. Sources of variability in interlanguage [J]. Applied Linguistics, 1985. [3] 王初明. 外语写长法[J]. 中国外语, 2005, (1). [4] 王雪梅. 我国英语专业研究生学术能力发展研究[D]. 华东师范大学, 2011. …… 7 Commented [微软中国 28]: 也要单独开页，先英文后中 文，再网络。按首字母和拼音排序。1.5 倍行距。 至少 20 篇，其中 10 篇英文文献。 Acknowledgments First of all, acknowledgments are given to Shandong Women’s University. |Four years study in this honored school has taught me a lot in my study of English. This thesis epitomizes my four-year study in this field and will be a starting line for my future study. I would also like to give my heartfelt thanks to my supervisor, ..., from whose valuable instruction during my study I benefit much. For this thesis, I should thank for his/her efforts in helping me from the embryo and his/her earnest supervision that encouraged me to complete this study with the best quality as far as I can. Gratitude again goes to the teachers who helped me during the four years, for whose splendid instruction, lectures and lessons, which assisted to build up my literary perception, have become my precious treasures. My special thanks then go to my friends and classmates, whom I often turned to during the completion of this thesis. Finally, I am in debt to my parents for their ceaseless encouragement and meticulous care from the time I began this thesis. Without those mentioned and those still remaining anonymous, this thesis would have been impossible. 8 Commented [A29]: 致谢不能照抄模板 注意事项： 1. 长度要求：学士论文正文长度为 4000 字(词)以上（不包括论文摘要、目录和参考文 献）。 2. 论文装订顺序：封面、作者声明、目录、中文摘要、英文摘要、正文、参考文献、 谢辞、附件。 3. 论文用 A4 标准纸输出，封面、作者声明两部分单面打印，其它部分双面打印。封 面、作者声明不加页码。 4. 每一页的上方（天头）和左侧（订口）分别留边 25mm，下方（地脚）和右侧（切 口）应分别留边 20mm，装订线 5 mm，页眉和页脚为 0。 5. 正文使用 Times New Romans 小四号字，行距为 1.5 倍行距；二级标题段前段后为 0.5 行，正文段前段后为 0，字符间距为标准。为保证打印效果，学生在打印前，请 将全文字体的颜色统一设置成黑色。 6. 每章单独开页。标题序号：文章总标题 I. Introduction 1.1 1.1.1 II. 2.1 2.1.1 7. 参考文献规范： (1) 文末参考文献依循国家统一标准，按作者姓名首字母顺序[1]、[2]、[3]……排列。外 文在前，中文在后，同一作者的文献按出版时间先后排列。未在正文中引用的文献请勿 收入在内。 (2) 规范参考文献。留意各项之间所使用的标点、顺序，不得缺项。在外文参考文献中 第 1 作者姓氏在前，名在后，名用首字母表示，中间用逗号隔开；非第一作者不作变动， 名前姓后，名用首字母表示；多位作者之间用&连接。外文书名、所载期刊、报纸名等 用斜体，实词首字母大写，外文论文篇名用正体，仅首字母大写。 (3) 参考文献类型和标识代码为：专著 M，期刊 J，论文集中的析出文献 A，论文集 C， 报纸文章 N，学位论文 D，报告 R，标准 S，专利 P，数据库 DB，计算机程序 CP，电 子公告 EB，磁带 MT，磁盘 DK，光盘 CD，联机网络 OL（例如：联机网上数据库的标 识[DB/OL]，光盘图书的标识[M/CD]，网上期刊标识[J/OL]） ，对于其他未说明的文献类 型建议采用英字母 Z。 9